Featured in the San Jose Mercury News

Darned House:Stained Glass Adds Drama to Remodel

Wednesday, January 6th, 2010

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Lisa Murray logged onto Craigslist for the first time looking for a small stained glass window for the master bathroom part of her renovation. As with all things about the remodel of her Los Gatos home, she wasn’t looking for something ordinary. She was looking for something “that makes my heart beat faster.”

P1010687Then she saw it, an eight foot angel with golden wings, a long white robe and bursts of cobalt blue. Translucent. Brilliant. Mesmerizing. Once the adornment for a San Francisco mortuary, it was now stored in a Richmond warehouse. Lisa quickly realized it was too big for the bathroom, and, quite frankly, almost too beautiful for it.

Despite its mortuary provenance, “it’s not creepy to me,” Lisa said. “The angel represents a hope of something.”

But where could she put it and could she get it home in one piece? What followed would become a lesson in flexiblity, creativity, and nail-biting drama for Lisa and her husband, Craig Hinkley. The couple, along with their two children and dog Millie are living in the tiny backyard cottage they just restored as well as the newly built garage while undergoing a full renovation of their circa-1940 Los Gatos home. Lookiloos and the Mercury News are chronicling their design decisions and family adventures in the “This Darned House” series.

3642719406_53920d2df1After 15 years of marriage, Craig has learned to trust the fantastical vision of his artist wife. As usual, however, the vision would come with a price. The new home for the angel would be the south-facing bay window in the great room — and that would not only mean a new design concept for the room, but a major re-engineering of the bay window to hold its weight.
“I’m sure Vinnie can make it all work,” Craig told his wife of their contractor, Vinnie Tran, who had already completed the garage under budget.

But first, could they get the angel home safely?

After renting a U-Haul and wrapping the stained glass in blankets, the precious cargo bumped and lurched in the back of a truck all the way from Richmond to Los Gatos. When Craig rolled up the back door of the truck to inspect it, his heart skipped a beat. The window had dropped out of its wooden frame. But he couldn’t tell whether it landed intact or had shattered.

“Lisa, go inside,” he said. “You don’t want to see this.”

When he peeled back the blankets, he was amazed to see it had survived, thanks to the extra cushioning they had put down first. The window had been mounted in three sections. They stored each under their iron bedframe in the cottage until the house was ready for it.

In the meantime, though, Lisa went back to the drawing board — again. She had already undergone a major redesign when she and Craig realized they wanted less interior square footage and more outdoor living. This couple had lived through the hot buggie summers of North Carolina and the rainy winters of Seattle following Craig’s finance jobs and had spent most of their time inside. Only after living in California for six months did they realize that for nearly every beautiful weekend, another one followed. The first major change was to swap out the formal dining room for a vast outdoor terrace off the great room.

Angel-room-sketchBut Lisa had originally designed the great room that opens to the kitchen to have a retro David Hicks style with a geometric circle motif. And that would no longer work with the leaded glass window. So she has ditched the idea of using Kraftmaid kitchen cabinets that had a circular overlay as well as the splashes of hot pink she was planning in the family room furnishings.

Instead, to complement the dramatic angel, she is opening up to a new style, with “a tinge of Gothic.”

And that means tufted, deep blue velvet sofas in the living room, for instance, and finding new seeded glass pendant lamps over the kitchen island she plans to paint herself. She is also reconsidering making her backsplash more linear and adding blue glass inserts.

She’s looking forward to the colored light that will splay across her great room. Now she’s just crossing her fingers that the installation of the giant window will go smoothly.

As Lisa puts it, “the drama is half the fun.”Julia Looking Left - Lookiloos

 

Lionel Train Set in Living Room: What to Do?

Friday, December 18th, 2009

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When my husband’s old Lionel train set arrived by UPS from his brother in Michigan, it was as though Santa himself appeared in a big brown truck. It was five years ago, Christmas Eve. I was standing in the driveway with our two children, who were 5 and 7 at the time, when the driver headed our way with a large cardboard box.

Carefully packed inside was the electric model train set that my husband, Chris, and his three brothers used to play with each winter in the basement of their home outside Detroit. It had been his father’s before that. And now, on the most magical night of all, it had arrived in San Jose for the next generation, just in time. I choked back tears as I wished the driver a Merry Christmas.4189164464_63d0d386bb_b

Sounds like the end of a heartwarming story, doesn’t it? This was the part when the parents are supposed to embrace and the children open the box with eyes filled with wonder. Can’t cha hear the whistle blowing?

Funny how nostalgia can turn to exasperation and a midnight argument last week that almost woke up the kids. Where in the world can we set up this thing?
Unlike my husband’s boyhood home in the 1960s and ’70s, our home doesn’t have a giant basement rec room with a snooker table big enough for two full sheets of plywood on top to serve as a platform for this Michigan-made train set.

4188401331_ca73499522_bWithout it, the track never really found a home in our house. That first Christmas, the engine that had been boxed up for 30 years was too worn out to pull cars behind it. The next two years, when the track was laid on the living-room floor, the kids kept tripping over it, knocking down the cars and disconnecting the track. In 2007, Chris placed a piece of plywood on top of the dining table on the screened porch. But it was chilly, few ventured outside to play with it and the track started to rust. Last year, it didn’t even make it out of the boxes.

This year, though, Chris insisted the train and the plywood come back in the house and into the living room. And it had to be elevated, he said. That’s when the discord began.
I’m sorry, but am I out of line to protest when my husband wants to squeeze in the equivalent of a table set for 12 in the middle of our cramped living room that is barely big enough for a Christmas tree? Must this be a shrine to Lionel?

I already had holiday decorating insecurities. As much as I envision our house as an enchanted space filled with our hand-carved nativity scene, nutcrackers, Christmas candelabras and poinsettias, it more often than not feels like a mismatched montage.
To make matters worse, we were planning a Christmas cocktail party, plus Christmas dinner for 18. We needed more room, not less, for entertaining.

4188400775_9539e15bc0_b“Hmm, an 8-foot-by-4-foot sheet of plywood in your living room,” mused my friend Carolyn. “Sounds like a dance floor.”
One friend suggested that if we really wanted to show off the train set, we should deconstruct it and arrange the engine and cars artfully on the mantel. Another suggested building a catwalk around the ceiling like they do at pizza parlors. All we needed was sawdust and peanut shells on the floor. Great.

But the tradition of this train set was important to Chris and I understood why. The train set was sent a few years after Chris’ father died. It wasn’t an elaborate model with mountains and tunnels, but it included some special vintage pieces: a 1940s O gauge track with a pressed-tin signal house and a man with a swinging lantern who pops through the door when the train passes; a foot-tall light tower; three pieces of die-cast rolling stock; a 1975 Illinois Central GP9 engine that blows smoke and a matching caboose that lights up. It came with a bag of miniature pedestrians, benches and trees. Inside the GP9 engine box was the original handwritten note the boys found that Christmas morning when they unwrapped it for the first time: “Merry Christmas, Joey, Chris, Paul and Ed.” It was signed S. Claus.

Still, did it have to be mounted full scale, table height, smack in the middle of the living room? Couldn’t it be, maybe, half the size, in a corner somewhere? Midnight is the wrong time to have a conversation like this. When I imagined Chris pulling out the sheet of dirty white felt he used under the track to look like snow two years ago, I marched upstairs.

4188400611_7d76b12642_bAs we got ready for bed, though, Chris said one more thing: “I want the kids to have memories of this train.”
“I do, too,” I said.

The next morning, Chris said that the train didn’t have to be table height. It could sit on milk crates just a foot off the floor. But something would still have to be moved out for it to fit in. I volunteered that my writing desk be moved to the shed.
We could still sit a 6-foot Christmas tree on top of the platform in the middle of the track. I would replace the white felt with chocolate brown burlap.
And to convince myself that I could salvage some sense of style, I would sew a string of silky brown pom-poms to finish the bottom edge. (Chris objected at first, worried they would distract from the track, but relented.)

Last weekend, Daniel, who is 10 now, helped his father assemble the track. Claire, 12, set up a station vignette around the signal house. It was a rainy afternoon and I took in the scene as Chris plugged in the twinkling tree lights and turned on the Christmas music. Daniel blew the whistle.
As the train came around the bend, I approached the platform, knelt down before it, and fluffed the pompom skirt.
Julia Looking Left - Lookiloos

Cottage Ideas: Pierre Deux and Lucite

Friday, September 18th, 2009

cottage bedroom2

This little cottage is so stylish and daring, it’s almost too hard to imagine a rabble rousing family of four with a dog moving into it.   But that’s what Lisa Murray says her family is still planning to do while they are remodeling the front house.

darned house-Lucite deerThe 360-square-foot cottage is out back and was the first to get attention after they purchased the Los Gatos property a year ago. Lisa is nothing if not whimsical and avante garde. And the cottage reflects that.

The “trophy” over the tiny fireplace is a Lucite deer head illuminated by a string of blue LEDs. The wall above the master bed has a lit arrow that looks like a midway sign at a fair. Even she admits getting a kick out of the “creepy” side of a circus (and has a few framed pictures of circus rides on the wall, too.) But those things are the extras.

darned house cottage living roomAnd it’s amazing how she pulled the fundamentals together for a beautiful, cohesive mix of modern and vintage, traditional and “circus-y.” Blue and white tiles from Portugal frame the fireplace and the kitchen backsplash. A floral love seat (a hide-a-bed) sits across from small red Ikea barrel-back chairs (with Pierre Deux throw pillows.)

She’s made great use of a very small space, with a tiny dining table in the main room and a Queen size bed with a watermelon-color frame from Anthropology in the bedroom.

darned house cottage kitchenNow let’s see how good it looks after the hubby and kids and dog move in. Stay tuned to the family adventures to come. (I can only imagine what the main house will look like! This woman’s got it going on!)

Julia - lookiloos.com 

 

 

Lookiloos is following the adventures of the Murray-Hinkley family remodel.  Scroll down for a list of Lisa’s splurges, bargains and resources on her cottage remodel. Or click below for  the most recent stories:
Lisa Explains Los Gatos Remodel
Los Gatos Family Takes on Major Remodel

Update:
Lookiloos featured in the San Jose Mercury NewsThis post is featured in the San Jose Mercury News Home and Garden section here.

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Asian Inspired Backyard in San Jose’s Naglee Park

Saturday, September 5th, 2009

Keyhole gate

Rick Holden and Sandra Moll have long been known as patrons of the arts here in the South Bay.  Whether they were chairing meetings for The San Jose Repertory’s Board of Directors or opening their home to host a private event benefitting the Institute of Contemporary Art’s or San Jose Jazz, the couple did it with flair.   So when it came time to relandscape their large backyard in San Jose’s koi pondNaglee Park, it should be no surprise that it has a distinctly artistic bent, from Thai artifacts to sculptures by local artists, like Marcia Donohue of the Our Own Stuff Gallery in Berkeley.

Entertainers at heart, the couple wanted a backyard space that would be appropriate for hosting a fundraising reception for 100 people, barbecue for 10 or intimate breakfast for two.  They enlisted the help of San Jose-based landscape designer Cevan Forristt, whose penchant for mixing ethnic treasures and reclaimed architectural artifacts  was just what the couple needed to transform their space into an unexpected downtown San Jose oasis.    “Our designer asked us each to write an essay about what we wanted to see in our backyard. I was not sure if Sandy and I would share the same vision or priorities”  Rick said.  “He melded our different points of view, brought his resources and hit the nail on the head.  We are out here year-round and the landscape is lush and constantly evolving.”

tablefor14From antique Chinese soaking tubs to giant Malaysian prayer beads gracing a keyhole concrete wall, the Holden/Moll backyard is a constant delight.   The concrete table seating 14 guests was poured by Forrist himself who embedded broken ceramic plates and pottery as accents.  The pottery pieces were retrieved before a San Francisco shop owner could throw the lot in a dumpster after the Loma Prieta earthquake.  The custom table is surrounded by antique chairs.

Repurposing ancient items for new uses, they converted an antique Chinese horse trough into a beverage cooler. Dinner is often cooked on the gas powered wok hidden in one of the nooks.  A indiangateChinese gate flanked with potted bamboo graces the driveway entrance, while a reclaimed blue antique Indian gate guards the eastern entrance to the patio. Fishing baskets were turned upside down, filled with white lights and converted into outdoor lamps.  The entire property is peppered with creations like bamboo/golden trumpet plant sculptures, lights imported from Mexico and a Buddah in an unexpected corner.   Adjoining the backyard, they have one of the largest collections of SJSU alum Donald Carlson’s glass art and a contemporary painting by Jenny Do in their downstairs indoor entertainment space.

The hardscape is filled-in with a mix of bamboo, monkey paws, succulents and morning glories to pay homage to their Asian inspiration and create privacy and shade.

Rather than flying half way across the world to see ancient treasures, the Holden’s simply look to their backyard for some zen like relief — Silicon Valley style.

Sheila - lookiloos.com

Update:
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Mission Revival in the Heart of Palm Haven

Thursday, July 30th, 2009

Mission Revival in the Heart of Palm Haven

The stark white house at the end of Plaza Drive in San Jose’s historic Palm Haven neighborhood takes you by surprise. It’s small in scale, a single story on a corner lot. But its domed tower and decorative parapet across the roofline force you to take a second look.

Inside Bell Tower - Mission Revival in the Heart of Palm Haven

This is Michael Borbely’s mini masterpiece – a recently completed Mission Revival house of stucco and tile that took years of research to create, plus help from San Jose’s Fireclay Tile to reproduce century-old details.

Borbely, 45, is an architectural activist of sorts who spearheaded an effort several years ago to restore the pillars at the entrance to the 1930s Palm Haven in Willow Glen to their original Mission Revival style. So when he was ready for a new project after selling his Prairie style house in the neighborhood, “I looked for the house in the worst condition that had the most impact on the neighborhood.” He decided on a tiny Spanish style house for sale nearby in need of a major remodel. He wanted the house to fit into the streetscape and, taking some cues from the pillars and an original Mission Revival house in the neighborhood, decided to reinvent a scaled-down version.

It still causes a little bewilderment when people walk by.

“When people ask what it is, they have all sorts of strange ideas,” said Borbely, who owns a small design and construction company called Novuspace. “Because Mission Revival is so rarely done anymore — and when it’s done it’s done out of proper context — I think that furthers people’s confusion when they see it.”

In the early 1900s, when the Spanish Colonial Revival style was hitting its stride in the United States, he said, there was no accepted category called Mission Revival. It was all considered Spanish.

Entry Hall - Mission Revival in the Heart of Palm Haven

“It wasn’t until later that historians in the architectural community agreed that there are pretty clear distinctions that separate real Mission Revival from Spanish mode,” he said. “It comes down to an
espadana – a curvilinear parapet.”

Most examples of Mission Revival style were executed in structures as large as the original Spanish missions, such as libraries and train stations. But here was Borbely with a 1,700 square foot original house that barely fit on its little, long, narrow corner lot.

“It’s a very challenging lot,” he said, “I found that if you scale down the components, Mission style fits quite nicely here. People say they feel it’s on a human scale. It’s got a tower, but not a tower that towers
over you.”

The narrow lot size also meant that Borbely had to forego one of the key features of Mission style – an exterior arched loggia. Instead, Borbely turned the concept “inside out,” he said, resulting in the home’s most stunning attribute: its wide, vaulted, triple-arched entry hall. The new house is barely 2,000 square feet, and the central hallway takes up a sizeable portion of it.

Kitchen - Mission Revival in the Heart of Palm Haven

“It’s not a big house, but it’s a flexible house,” he said. “I see this as able to double as a dining space,” or a gracious area for wine receptions. A wainscoting of colorful tile, reproduced by Fireclay Tile, came from a 100-year-old photograph Borbely unearthed.

What used to be a tiny breakfast nook at the front of the old house is now the domed tower room that Borbely uses as a study. The old galley kitchen was turned into a guest room.

The new kitchen at the far end of the entry hall, down a few steps, makes another strong statement. The sanctuary-like ceiling explodes into view, with heavy timbers closely spaced and highly-carved corbels. Nava’s Brothers built the red oak cabinetry, including a pew-like banquet for the kitchen table. The kitchen accents tiles were created by local ceramic artist Babak Daleki at www.dalekiceramicstudio.com.

As much as the house is reminiscent of the old, Borbely integrated modern, environmentally-friendly features, including salvaged materials, LED lighting and solar power that not only heats his house but powers his electric car in the driveway.

Kitchen Fireplace - Mission Revival in the Heart of Palm Haven

Borbely even took pains to ornament the long side of the house – an area often downplayed in design. But since the side faces a sidewalk, Borbely added window hoods that suggest a deep adobe wall, a large, carved false door and a vintage style iron fence with a cross motif.

“I wanted to make it pleasing to look at no matter where you were,” he said.

Judging from the neighbors’ reactions, he seems to have succeeded:

“My neighbors have given me a list of properties they want me to work on.”

Julia - lookiloos.com

Related Stories:

La Estancia – A Los Gatos Mission Revival

Reviving a Spanish Revival

Update:
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This post is featured in the San Jose Mercury News Home and Garden section here.

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California Craftsman, Italian Revival, Bungalows on Hanchett Home Tour

Friday, May 22nd, 2009

Pool and Carport - California Craftsman, Italian Revival, Bungalows on Hanchett Home Tour

Realtors are well-known for “expanding” the boundaries of popular neighborhoods like San Jose’s Willow Glen and Rose Garden. But the residents of the distinctive Hanchett Park neighborhood, a largely unknown enclave of period California Craftsmen, Italian Revivals and Prairie-style homes, are tired, quite frankly, of being referred to as “the lower Rose Garden.”

Sequoia Home - California Craftsman, Italian Revival, Bungalows on Hanchett Home Tour

Hanchett Park’s graceful streetscape design, including European-like traffic roundabouts and original entrance pillars, was designed in 1907 by John McLaren who designed Golden Gate Park in San Francisco. The neighborhood is often referred to in a larger sense as the Shasta Hanchett neighborhood because Shasta Avenue is the main street that runs through it. But the historic name is Hanchett Residence Park and it is nestled between The Alameda and Park Avenue. Several of the Arts and Crafts homes in the neighborhood were once featured in American Bungalow Magazine.

Now, a grass roots group, calling itself the Hanchett Park Heritage Project, hopes to rebuild the historic gateway pillars with pergolas at key entrance points around the neighborhood, including Martin Avenue at The Alameda. They’re hosting their first home tour, featuring five historic houses, on May 30 to raise money for the project.

Tillman Pillars - California Craftsman, Italian Revival, Bungalows on Hanchett Home Tour

“Hanchett Park is one of only two residential parks in San Jose. The other is Palm Haven and no one has ever heard of us,” said Hillary Savage, a neighborhood resident who is helping plan the home tour. Residential parks were some of the first “subdivisions” at the turn of the last century that were planned with utility poles running at the back of the lots, decorative lighting and landscaping to “retain a park-like atmosphere.”

One of the most enthusiastic supporters of the project and the neighborhood is Larry Camuso, who has restored his 1926 Italian Revival home into a stunning showplace and earned it a city historical designation. The house, which was originally built as a one-story home in 1908 then radically remodeled in 1926 with a second-story and Palladian windows, echoes the Hollywood glamour and style of its day.

Sequoia Foyer - California Craftsman, Italian Revival, Bungalows on Hanchett Home Tour

And Camuso, with his partner Kirk Wentland, is getting it ready for the tour. Camuso, 49, is long a fan of the classic “Sunset Boulevard,” where the Hollywood mansion is a much a character as stars Gloria Swanson and William Holden.

“I discovered that movie in my 20s and thought that was what I was all about,” Camuso said. “That whole period of time, the style, design, art and decoration, it created a vision for me.” In fact, the look of the upstairs master suite, including the custom-made water spout in the bathroom, came right out of an Art Deco movie set book. Interior designer Paul Rokovich brought the vision to reality throughout the house.

“I’m stuck in the 1920s living in this house,” said Camuso, who is semi-retired from his antique and collector car parts business. (The house was built with a detached three-car garage, including a repair “pit” in one of the bays. “Sold!”)

Sequoia Home - California Craftsman, Italian Revival, Bungalows on Hanchett Home Tour

Like many homeowners in the neighborhood, Camuso embarked on a historically-correct renovation. Though the house was in good condition when he bought it in 1991, he began five years later to restore its original footprint and fixtures. And he marshaled the memories of one of its original inhabitants, Lucretia Martin Schlueter, who was raised there until 1954.

“By way of old pictures that Lucretia supplied, I was able to put it back the way it was,” he said. Camuso threw an 80th birthday party for the house in 2006, and invited Lucretia, who is in her 90s and lives in Carmel, as the guest of honor.

“The house had great bones, but was never fully realized as far as its aesthetic values.” He removed a bathroom and closet off the main entry hall and returned the space to its original purpose — a rear hallway that separates the living room from the study. He also replaced the replacement windows — in other words, any flat glass that had been installed to fix broken windows over the years was replaced with vintage wavy glass that Camuso tracked down at Anderson C&M Used Building Material on Montgomery Street near downtown San Jose. He had nearly every one reglazed.

Shasta Home - California Craftsman, Italian Revival, Bungalows on Hanchett Home Tour

“It’s like a shimmering show of wavy glass,” he said.

Along with Camuso’s home, several turn-of-the-century Craftsman bungalows will be on the tour, including one with original stone columns in front. Also on the tour is one of the first homes built in the subdivision, considered the model home of its day. The large, shingled house was designed by the well-known Wilson-McKenzie architecture firm, which designed many homes in Naglee Park near downtown.

Outside the downtown core of Victorians, “this was considered modern, in terms of 1908,” Savage said.

Yosemite Home - California Craftsman, Italian Revival, Bungalows on Hanchett Home Tour

Preparation for the home tour has been a neighborhood preoccupation over the past two years, as several homeowners have hosted cocktail and garden parties to raise money among themselves for the event.

The city of San Jose’s Redevelopment Agency is helping with funding to build the first set of pillars at The Alameda and Martin that were removed in the 1960s, probably because of disrepair. But residents want to rebuild the pillars at other key entry points as well, including at Park and Tillman avenues, with an estimated cost of $40,000 each.

“We have to have a lot of home tours,” Savage said.

Tickets for the Saturday, May 30th tour, may be purchased for $25 the day of the tour at 1265 Sierra Avenue, or $21 in advance through hanchettpark.org.

Julia - lookiloos.com

(Story by Julia Prodis Sulek. Photos by Desiree Northend.)

Update:
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This post is featured in the San Jose Mercury News Home and Garden section here.

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Big Sur’s Nepenthe Turns 60, But a Log Cabin is Still Home

Saturday, April 25th, 2009

Big Sur's Nepenthe Turns 60, But a Log Cabin is Still Home

For 60 years at Big Sur’s famed Nepenthe restaurant, cameras have been clicking away on the obvious – the cliffside view of the dramatic Pacific coastline, the iconic, mid-century restaurant of glass and wood, the grand terrace where Elizabeth Taylor and Richard Burton filmed the 1965 classic, “The Sandpiper.”

But just above the terrace is a humble, but intriguing dwelling hiding in plain sight from guests awed by the captivating view.

Log Cabin 1930 - Big Sur's Nepenthe Turns 60, But a Log Cabin is Still Home

Behind a brick facade is a structure of logs and adobe cement that Hollywood legend Orson Welles and his wife Rita Hayworth bought on a romantic whim in 1944.

This weekend, as Nepenthe celebrates the 60th anniversary of the restaurant’s opening, we turn our lens toward this tiny and surprisingly vibrant place that is still home to members of the same fascinating family that founded Nepenthe and run it today.

The Bohemian aura of Nepenthe, the beatniks, the belly dancing, the poetry, the parties began in this cabin. In those days, the cabin was the first stop for guests.

“The log cabin was the hub of everything that went on,” says Romney “Nani” Steele, who grew up in the cabin with her grandparents and cousins in the 1960s. “The restaurant was built in such a way, it was somewhat added to the cabin,’’ she says. “My grandmother created a whole life behind the restaurant.”

Bill Lolly and Kids - Big Sur's Nepenthe Turns 60, But a Log Cabin is Still Home

Her grandparents, Bill and Lolly Fassett, moved into the three-room cabin in 1947 with their five children and within two years had built Nepenthe, naming it for the Greek word meaning “no sorrow.”

The cabin and 12 acres had cost them $12,000 after Welles and Hayworth divorced and sold them the property. The Hollywood couple had planned the 1925 cabin as a getaway when they purchased it from a hiking group. The stars even measured for curtains, but never returned.

Renting the cabin at the time was author Henry Miller, who had already written the scandalous “Tropic of Cancer.” He moved out when the Fassetts bought the cabin, but became lifelong friends with Bill Fassett, a gregarious storyteller who ran a magazine in Carmel. Lolly Fassett was a cultured, artistic woman in her own right, having lived her teen years in Europe as the traveling companion of her grandmother, artist Jane Gallatin Powers, who was part of the original Carmel art scene.

Holly and Erin - Big Sur's Nepenthe Turns 60, But a Log Cabin is Still Home

The Fassetts were great entertainers and envisioned Nepenthe even though Highway One had been open only a decade and traffic through the area was light. Lolly, influenced by the great piazzas of Capri, insisted that architect Rowan Maiden – a disciple of Frank Lloyd Wright – design a great terrace for dancing and a restaurant that opened to the air. It was Lolly who made the adobe bricks and laid them for the giant round fireplace on the terrace. When Nepenthe opened April 24, 1949, about 500 people attended the grand opening. Photographs were shot for architectural magazines.

The guests had traveled 30 miles of winding road from Carmel and beyond. Life in Big Sur, then, as now, was dictated by the ebb and flow of nature. In the winters, the roads washed out and in summers, wildfires whipped through.

“It created tension and upheaval and a dynamic quality of people,” says Kirk Gafill, a Fassett grandson, who grew up in the cabin and runs Nepenthe with his mother, Holly Fassett.

From artists to hippies, his grandmother welcomed them into her living room.

Filming On Terrace - Big Sur's Nepenthe Turns 60, But a Log Cabin is Still Home

“When we were growing up, nightly 10, 15, 20 people were in the living room visiting with her,” says Steele, whose book “My Nepenthe” will be published this fall (www.mynepenthebook.com). “People came in and napped there.” Some of those wayfarers fell in love with the Fassett daughters, married them, had children, then continued on their journeys. Four of those children spent part of their childhood living in the cabin.

“Our absolutely favorite thing to do was to lie on my grandmother’s long row of beds and look out the window with our hands perched under our chins,” says Steele, 43. “People would get up and dance. Someone would be in the corner reading poetry or playing music. I can remember the sun coming through the window and watching for hours what was going on.”

Every once in a while, her grandmother would say, “Go dance!” “She would wrap scarves around my waist and we’d whirl around,” Steele says. “We’d do that for guests and we would come back up the stairs. She always had plenty of costumes, petticoats, Flamenco costumes, just amazing stuff.”

Piggyback 1968 - Big Sur's Nepenthe Turns 60, But a Log Cabin is Still Home

Erin Gafill, 45, Steele’s cousin who is an artist, says that “the line between fantasy and reality was totally blurred. There was so much magic and glamour around here.” She has a foggy memory of lying on her back as a toddler on the terrace, looking up at the sky between the branches of the old oak tree.

“This man appeared and scooped me up. I couldn’t stop crying,” Gafill recalls. “Years later my mom told me this was Richard Burton, and that Liz Taylor took me from his arms and handed me to my mom, who was sitting on the bleachers in shock at the whole thing.”

It was 1964 and the movie stars were filming “The Sandpiper” on the terrace. Its theme song, “The Shadow of Your Smile” became a classic. When the movie about an artist’s illicit affair with a schoolmaster premiered in 1965, Nepenthe was transformed. The Fassetts opened Nepenthe from seasonally to year-round.

After Lolly died in 1986, Gafill returned to the cabin, raised two children, and still lives there her husband.

Picture Frames - Big Sur's Nepenthe Turns 60, But a Log Cabin is Still Home

“It seemed like an impossible place to live,” she says, recalling her decision to make the move. The cabin “was so psychologically important to us. I had to make sure the change was OK with everybody.”

She’s done her best to preserve the spirit of the cabin. It still has three main rooms, including the kitchen and big stone fireplace. An extra bedroom was added along the way. Behind the door of the log cabin’s kitchen is the industrial prep kitchen for the restaurant. When the adobe cement began to chip away on the side of the cabin facing the terrace, a brick facade was overlaid to protect it from the wind and fog. Inside, she covered the cabin’s redwood walls with her great-great grandmother’s paintings. Family and restaurant crew took them to safety when the wildfires came dangerously close to Nepenthe last summer, closing the restaurant for three weeks.

Outdoor Dining - Big Sur's Nepenthe Turns 60, But a Log Cabin is Still Home

As the extended family gathers this weekend for the anniversary, the cabin will beckon them in. And as they planned all along, there will be dancing on the terrace.

Julia - lookiloos.com

(Top black and white photograph of Nepenthe taken in1950 by Morley Baer, ©2009 by the Morley Baer Photography Trust, Santa Fe; Lee Harbick Collection, California History Room, Monterey Public Library. Color photo in cabin with Erin Gafill on right and her mother, Holly, by Tom Birmingham.)

Related stories:
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California Daily Art: Landscape Paintings
Carmel Valley Cabin
Artist in Residence

Update:
Lookiloos featured in the San Jose Mercury News
This post is featured in the San Jose Mercury News Home and Garden section here.

Update 2:

Here’s the complete slideshow:

Portola Valley: Green and Sustainable House on a Hill

Saturday, April 4th, 2009

Portola Valley: Green and Sustainable House on a Hill

Not much surprised Iris Harrell’s family when she left Virginia in her 20s to work as a history teacher on a Navajo Indian reservation, then toured the country for five years as a guitar player and singer in a pop and country band.

But when she put on a tool belt in her 30s and started doing carpentry, “they thought, ‘Have you lost your mind?’”

Living Room Center - Portola Valley: Green and Sustainable House on a Hill

It all made perfect sense to Harrell, who is 62 now and CEO of her own Harrell Remodeling company based in Mountain View.

“If you can control a public school sixth period class on Friday afternoon and you can control drummers and other free-spirited, independent people and travel all over the country,” she said, “it’s pretty powerful training.”

For the past three decades, she’s been orchestrating designers, carpenters and subcontractors to create beautiful homes for people all over the Peninsula. She finally was able to focus on her own home in Portola Valley, which she shares with her partner of 30 years, Ann Benson. They completed a major remodel last year that is both universal — meaning it works for all ages and abilities — and it’s sustainable, meaning it’s “green” and has a roof with 54 solar panels. They built it as much for Benson’s 91-year-old mother as themselves. They installed an elevator as well as a bathroom vanity that lowers to wheelchair height.

The couple was first drawn to the area when they visited a friend in the Portola Valley Ranch subdivision, an early 1980s-era development of 200 homes nestled among hills, oaks and meadows. A nature corridors runs through the development, so wildlife is free to meander. That means all gardening is relegated to a fenced-in “community garden” near the pool and tennis courts. In 1992, the house that was built as the developer’s office — with 10 “bedrooms”, one-and-a-half bathrooms and no kitchen — came on the market. Harrell and Benson, seeing the potential, took it “as is”.

Kitchen -Portola Valley: Green and Sustainable House on a Hill

They did a temporary remodel back then to reconfigure the house to a four-bedroom, with a kitchen. But in July, they finished a substantial remodel, turning it into a showcase of modern green technology as well as comfortable, lifelong living. They started with a demolition party and invited Benson’s mother and her friends from their San Francisco senior citizens’ home. But many in wheelchairs and walkers couldn’t navigate the hillside house.

What a difference a remodel makes. They built a wooden ramp from the street level down to the front door, winding through oak trees along the way. They removed a wall in the entry hall and a closet in the living room to open the vista from the front door through the living room and out to the hillside views. To make the living room with 14-foot ceilings seem more intimate, they hung what they call “lighted quilts” from the ceiling. Made of glass that is stained in traditional quilt patterns, the floating piece of art is an homage to Benson’s love of quilting.

They reconfigured the kitchen to allow for “hers and hers” refrigerators and sinks. Since Benson is the main chef for the couple, her fridge stores all the fresh food for cooking. With Harrell’s fridge, on the other hand, “you take it out and eat it or put it in the microwave.”

Master Shower - Portola Valley: Green and Sustainable House on a Hill

The kitchen opens to a small eating area as well as an intimate sitting area that faces an energy-saving, gas fireplace, one of five in rooms throughout the house. They provide their main source of heat and turn them on only when they spend time in those rooms.

They also made “green” plans to cool the house, especially when the morning sun pours into the living room on hot summer mornings. They installed exterior “European Rolling Shutters” that not only descend at the push of a button, but flap shut.

The laundry room doubles as a kitchenette for the downstairs master bedroom. Except for towels, they hang up all their clothes to line dry across the long back wall. A heated counter top for folding dries the moisture from the air.

They installed a sauna in the master bath and curbless showers for the day when they might need wheelchairs themselves. The house has won several awards for universal and green design, including most recently the National Contractor of the Year Award from the National Remodelers Association (NARI) for Residential Universal Design.

Iris and Ann - Portola Valley: Green and Sustainable House on a Hill

This house, Harrell and Benson say, is their “forever house.”

When they completed the remodel last summer, including the ramp and elevator, Benson’s mother and her friends from the senior home returned for a “wrap” party. They all easily navigated the space.

(Photographs by Bill Enos. Harrell and Benson portrait by Desiree Northend.)

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You might also enjoy these stories:
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Update:
Lookiloos featured in the San Jose Mercury News
This post is featured in the San Jose Mercury News Home and Garden section here.

Here’s the complete slideshow:

Tips: Garden Patio Makeover on a Budget

Tuesday, March 24th, 2009

Tips: Garden Patio Makeover on a Budget

When Mary Schlichting Francis moved into her four-plex in central San Jose, a small corner patio came with it. It was a blank slate of concrete and gray. For this woman who loves to garden as well as collect vintage treasures, her task was a welcome opportunity. So with a little imagination, a can of black spray-paint and an internal compass leading her to bargains, she transformed her patio into a creative, welcoming spot.

“You get so much more joy out of it knowing you spent so little,” she said.

Here are some of her tips to get your patio ready for spring — on a dime.

Orchid - Tips: Garden Patio Makeover on a Budget

1.  Find a small fountain(Mary found hers at Savers on San Carlos, painted it and added river rocks.) The sound of gurgling water creates a soothing atmosphere.

2.  Rescue orphan plants from friends who are moving or cleaning out. Mary, who has a green thumb, loves to nurse sickly plants back to life — her exquisite white azalea is testament to that. Cast-off cyclamen bulbs from last year are blooming on Mary’s patio this year.

3.  Shop second-hand stores, like Move It Elsewhere on Lincoln Avenue in San Jose that is open one weekend a month for old pots, garden furniture and interesting “found art.” Try Salvation Army on Taylor Street, too, or Marshalls and T.J. Maxx.

4.  Buy a can of black “Painter’s Touch” semigloss paint at Home Depot, and spray a coat on old orange pots, especially plastic ones, to give them a more sophisticated look.

Ivy - Tips: Garden Patio Makeover on a Budget

5.  Create vignettes by combining plants, sculpture (like Mary’s buddha statue), garden mosaics and even cheap paintings or pictures that can hang under the eaves, or over a bench. “Some things can handle the weather,” Mary said. “If it only lasts a season, but it doesn’t cost much, it’s just fine.”

6.  Go green and purchase a compost bin. Mary is sharing it with the other tenants in her complex. 

Julia - lookiloos.com

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Move it Elsewhere
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Update:
Lookiloos featured in the San Jose Mercury News
This post is featured in the San Jose Mercury News Home and Garden section here.

Green Building Materials – Ohmega Salvage in Berkeley

Sunday, March 22nd, 2009

Green Building Materials - Ohmega Salvage in Berkeley

You know you’re immersed in the Berkeley vibe when you wander down San Pablo Avenue at Ashby. You can’t help but feel all “green” inside when you stop at Ohmega Salvage yard, where re-use and repurpose is at its best. It’s a place that was in business long before the term “green” became vogue, and has even been featured on “This Old House.”

Stained Glass - Green Building Materials - Ohmega Salvage in Berkeley

Here in the open lot, you can find everything from old bathtubs to Buddhas from Bali. Ohmega Salvage specializes in pre-1950 architectural artifacts, so if you’re restoring a Victorian or old Craftsman, you can find stained glass windows, chandeliers, sinks and doors. Stacks of old glass block can be purchased for $4 a block. A pair of cast iron chairs sell for $300, plus another $150 for the pub table with the marble checkerboard top.

Ohmega Too is across the street, where the lot has more of a flea market feel. Urban Ore, another salvage yard, is on Murray Street around the corner. It calls itself an “Ecopark”. Hit all three, plus grab an organic, free-range, locally-grown bite at almost any corner restaurant, and you will have experienced Berkeley.

Art Deco Light - Green Building Materials - Ohmega Salvage in Berkeley

Julia - lookiloos.com

Related Stories:
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Manderley Revisited-Restored Victorian in La Selva Beach
Los Gatos Craftsman on Home Tour
New Craftsman Mirrors Old
Restoring a Victorian Saves a Neighborhood

Update:
Lookiloos featured in the San Jose Mercury News
This post is featured in the San Jose Mercury News Home and Garden section here.

Here’s the complete slideshow: