Inside Story

Craftsman Home Gets Three Major Remodels

Sunday, August 8th, 2010

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The first time the Los Gatos house got a makeover, Betsy and Dan “Whizzer” White just needed a bigger house for their growing family. The house they bought in 1977 was 900 square feet and with one child and another on the way, they added a second story in 1984. In 1991, they did a major kitchen/family room remodel. Then on New Year’s Eve 2003 while Whizzer and Betsy were at a party, they got a call from a neighbor: “Your house is burning.”

4846048651_a2c6fdfcbd_b[1]A lit candle left  on her daughter’s bedroom desk had destroyed nearly the entire house. With the help of architect Phoebe Bressack of Bressack and Wasserman Architects in Los Altos, ) Chateau Construction (theirr builder for 30 years), interior designers Ann Sonnenberg of Palo Alto and Susan Hoffman from Los Gatos, the house was redesigned, rebuilt and redecorated. With all the loss, chaos and rebuilding, Betsy said, “The day I cried was when I found I could have the same tile in the kitchen,” that she had loved when she remodeled it in 1991.

As much as she loved her house before the fire, the third incarnation has it’s benefits. Along with increasing from a three bedroom, two bath, the house –built in a Bernard Maybeck craftsman style and shingled — now has four bedrooms and three-and-a-half baths. They reconfigured the downstairs space to add an office and laundry room. All the bonuses came inside an extra 400 square feet.

4846048825_18d2cd225d_b[1]The stair railing also saw an upgrade, from what Betsy affectionately called “barnyard chic” to an elegant iron railing with a leaf motif modeled after the magnolia tree outside the window. The couple enjoyed weekends at garage sales and antique shops to replace their furnishings and collected Mexican pottery and other crafts from one of their favorite destinations: San Miguel de Allende.

The house sits on nearly a third of an acre and the grounds are gorgeous, from a shady patio  in front to a lush vegetable garden in the back.

While Whizzer’s wife considers her husband a “farmer,” because of his 60 tomato plants, chili peppers and other fruits and vegetables, Whizzer simply considers himself a “foodie.”

With his heirloom tomatoes, “I  freeze 50 pounds a year for cooking and give away about 200 pounds,” he said.  He’s also proud of his “pimientos de padron,” a chili pepper made famous by writer Calvin Trillin that is popular in Spanish tapas.

 Whizzer is well known in Los Gatos for supplying the enormous squash for the annual march of the “Cucuzza Squash Drill Team” in the town’s Christmas parade. “We’re the successors to the Pigmy Goat Herders that were kicked out a few years ago,” he said. “They got too outrageous.”

And while Betsy still finds herself “going for light switches in places that were there for 20 years,” she loves the third makeover of her home. The couple have no plans to do it again.Julia Looking Left - Lookiloos Knock on wood.

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Sunset Dream Remodel:Living Large in Small Space

Wednesday, July 21st, 2010

IMG_6629When I think of a Sunset house, I usually picture something a bit grand, perhaps on a hillside overlooking California oaks. So when I drove by the latest Sunset Dream Remodel in Los Gatos, I almost passed it. It’s small — a 1,550 square foot Mediterranean bungalow on the corner of a somewhat busy street. But the whole idea, in these tough economic times, is to showcase the wonderful things you can do in a small space. And when you look at it that way, this house really measures up.
IMG_6655“This project shows how big a small space can live if done right,” said San Jose builder, Mark De Mattei, who marks his sixth Sunset house with the renovation of this Los Gatos bungalow.
The Sunset Dream Remodel opens to the public on July 23 through Aug. 15, 2010, only on Fridays, Saturdays and Sundays. But here at Lookiloos, we love nothing better than to give a sneak peek, with a full slideshow, of some of the great ideas and products.

IMG_6650When De Mattei first bought the property, the house was even smaller — 1,300 square feet, and faced the busy University Avenue. To take full advantage of the corner lot, he lifted up the house, built a new foundation and turned it to face Town Terrace.
From the outside, you appreciate that this little house retains all its charm –including original arched windows at the front. But every inch, inside and out, is maximized. The front garden, designed by Tamura Designs of San Jose, with gravel pathways in a lovely geometric pattern with pea gravel and planting beds makes me want to do the same in my yard. I love the big urn as a centerpiece in the middle with herbs and vegetables growing in the beds –in the front yard no less.
IMG_6654A side yard leading to the sidewalk and busy street was also put to best use with a deck right off the dining room. A
One of the tricks to making a small space seem large, De Mattei said, is to keep spaces open. From the front entryhall, you can look right through the living room, dining and kitchen to see the lovely back courtyard. Wide wooden floors run the length of the house, fooling your eye to think the floorplan goes on and on.
Instead of dividing living spaces with walls, different ceiling treatments do the trick, from a flat 8-foot-ceiling in the living room, to a higher, beamed-ceiling in the dining room.
And you can always count on Sunset to have beautiful decor, from handmade tiles in the kitchen to my favorite thing: the gray trefoil tiles in the masterbath. (Those might be lovely in my pending bath renovation!) Julia Looking Left - LookiloosRoom and Board supplied most of the furnishings, and Anteo Home in Los Gatos brought in the dining room chairs and special pieces.
If you want to see the house for yourself, it’s well worth it. Here’s the skinny:

Friday, Saturday and Sunday
July 23 – August 15, 2010 Time:10:00 am – 5:00 pm Tickets (purchase on-site):$15 adults
$12 seniors 65+ Fridays only
$5 children 12 and under Location:100 Towne Terrace
Los Gatos, California 95032

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English Garden Gets Gussied Up

Friday, June 11th, 2010

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It wasn’t until Suzanne Comaroto’s sister came down from Washington that she got serious about improving her backyard. The old oak tree had died. The roses weren’t doing well. The dirt was so hard, the plants were choking.

“My sister made a honey-do list for my gardner,” said Suzanne, owner of Move It Elsewhere, a warehouse filled with estate sale furnishings in San Jose. (It’s only open one weekend a month, and it’s open this weekend, June 11-13.) She rented her 1920s craftsman bungalow for 14 years before convincing the landlord to sell it to her three years ago.

4654093013_2859d3bc21_bTop on the list was replacing the brick on the curving path that was caked with old mortar, probably from a demolished fireplace. They handed the list to Suzanne’s longtime gardner, Carlos Arrioja, who owns the  Los Gatos landscape business, “A Touch of Quality.”

He prepared the soil, lifted and replaced the brick, widened the path and mounded soil into berms to give the plantings some visual interest. He built a trellis at the back of the property to mirror the trellis attached to the back of the house.

“When I moved here, they touted, “Oh, you have an English garden,” Suzanne said. “Everyone said it was pretty. But it wasn’t interesting. There were no gates, no benches, no hand.”

4654711840_a33a4754a4_bThe hand is a sculpture Carlos came across. He had to re-attach the broken thumb. And it has become the signature piece in the garden, adding a bit of whimsy.

“I really like that hand,” she said. “I had to have it.”

As owner of Move It Elsewhere, Suzanne  has access to an endless parade of home and garden furnishings. And true to form, she bought her patio set from a client and painted it black. She also bought a broken two-tiered fountain that was cracked and didn’t hold water, and turned it into a planter.

The work was completed last September. This is the first spring to enjoy the blooms on her new flowers, including roses and bearded iris.

The only problem, she said, is that she’s so busy, she doesn’t get to spend much time relaxing in it.

“It’s beautiful,” she said, “ from my bedroom window.”Julia Looking Left - Lookiloos

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Zem Joaquin’s House is Ecofabulous — Take a Green Tour with Us

Thursday, April 1st, 2010

Green ChairsLookiloos and Scene Magazine,  produced by the San Jose Mercury News, teamed up to profile Ecofabulous founder Zem Joaquin. Here’s  the story of Zem’s fascinating life  written by Julia Prodis Sulek, and photos and slideshow of her own sexy, sustainable house by Desiree Northend:

She was born in 1970 with a name that means “earth” in Czech on a commune in Palo Alto called “The Land.”
Zem Joaquin was a dark-haired pixie with patchwork pants who played with chickens, danced in the central longhouse and sang with Joan Baez in the squatters camp off Page Mill Road.
The darling of the draft resisters back then, she became the subject of their illustrated fairy tale about  “Zem, the little queen” who unites a strife-torn world. Even Baez, who founded the commune and lived there for a time, included “Zem Zem” in her 1975 song, “Children and All That Jazz.”
Perhaps it should come as no surprise, then, that she was destined to make a name for herself in the environmental movement. Unlike her parents’ generation that reveled in the counterculture fringe, though, she is helping create a modern movement in the mainstream.
And she’s doing so with her own sense of rebellion: She’s making green glamorous.Blue Dining Chair
Founder of Ecofabulous, she created a Web site that gives readers eco-friendly lifestyle options, from modular furniture made from recycled paper to chic throws made of hemp and flax. Going green needs to be less about sacrifice, she realized, and more about motivation. (The site’s motto: “sexy.sustainable.style.”) After all, she muses, “People weren’t too interested when organic cotton looked like oatmeal and felt like a burlap sack.”
Step inside the 1960s-era home in Marin County that she remodeled for her family and you’ll see what she means.
At 39 years old and just 5 feet tall, she opens the front door with bare feet and a big smile. Behind her, vintage black-and-white curtains she found at the Alameda Point Antiques Faire frame a pair of chairs she recovered in remnant lime green silk. Sleek kitchen counters are made from newspaper wood pulp and fly ash. Her vintage Laszlo dining room chairs are refilled with natural rubber.
“Being fabulous is feeling like you’re getting what you really want,” she says. “At the same time, you’re not taking more than you need and you’re giving back.”
Hall ArtSo how did this commune kid become such a design diva?
She may have been raised on granola, but she came of age living in London for two-and-a-half years in her early 20s with her godmother – a stylish critic for the Evening Standard who took her to theaters, boutiques and Paris for weekends and “taught me everything I know about design.” Joaquin (then Spire, her maiden name) finished her degree in organizational communications at Pepperdine, where she started a recycling program. And after a stint managing male models in Italy (she followed a boyfriend there), she returned to San Francisco in the late 1990s to help her best friend, Gina Pell, start Pell’s fledgling fashion and beauty Web site, Splendora.
“She was my VP of business development because she’s so good with people. She has a way of developing and nurturing connections,” Pell says. “I always told her that if she was a superhero, that would be her superpower – the ultimate connector.”
It was Pell, though, who connected Zem with her husband, tech entrepreneur James Joaquin.
They met at a cocktail party in 1999 in San Francisco, married and had two children. She was volunteering for homeless causes and political campaigns when her children were diagnosed with severe asthma. The family was living in an old Craftsman in San Francisco at the time, spending many a night in the emergency room when she decided she had to “save my children and create a healthy home.”Girl's Dressing Area
The Marin County house, tucked among blackberry bushes and towering trees, became her eco-incubator. Old painted beams were stripped with beeswax, wall-to-wall carpeting was replaced with recycled wine-cork flooring and solar panels were added to the roof.
But finding sustainable products, and stylish ones at that, wasn’t easy. “I realized there was this enormous gap,” she says. “There were no resources for eco-design and people interested in design.”
It was her husband who handed her a copy of “Cradle to Cradle,” the environmental manifesto of architect William McDonough, whom James Joaquin had heard speak at the 2004 TED conference for technology, entertainment and design in Monterey.
“This is what you’ve been talking about,” he said at the time to his wife, “what you’ve been spiraling in towards.”
She was so enthralled by the book, which professes ecologically intelligent design, that she invited McDonough to lunch with “some of my friends that I think can change the world.”
The guest list included her husband’s good friend, eBay founder Pierre Omidyar; Segway inventor Dean Kamen, whom she had met at a dinner party; and inventor, entrepreneur and Disney “imagineer” Danny Hillis.
This time, it was McDonough’s turn to be impressed. He invited her to attend his annual eco-summit in Iceland the following year with some 20 “thought leaders” and activists.
ZemUnlike some in the environmental movement who preach doom and gloom, he says, Joaquin takes a positive approach.
“It’s a big dark world out there, and we need brightness,” he says in a phone interview from Abu Dhabi where he was talking to real estate developers about green design. “Zem is a sparkle.”
And she knows how to throw a party. Over the past several years, she has raised nearly $1 million dollars for Global Green, an L.A.-based nonprofit that activates its Hollywood base to bring attention to green issues, including the sustainable rebuilding of New Orleans and Haiti. At her first party she threw at the Clift Hotel in San Francisco several years ago, Leonardo DiCaprio showed up. Salma Hayek and Orlando Bloom came to the second.
“She actually seduces people into doing the right thing,” Ariana Huffington of the Huffington Post said when she presented Joaquin with Global Green’s Founder’s Award last year. “She always makes people feel that the right thing is the fun thing.”
Plus, she added, “she’s adorable.”
While Joaquin founded Ecofabulous in 2006 to chronicle her environmentally friendly remodeling resources, she has since expanded it to include organic beauty, fashion and lifestyle choices. She consults with such companies as eBay and Safeway and has been a frequent “green” guest on radio and TV shows. She raises chickens in her side yard, grows tomatoes and herbs, and even has her 6-year-old daughter weighing in with her opinion about kids’ green products. And over the past few years, she’s convinced every one of her closest friends to drive a hybrid.
So what’s next?
“I never thought in a million years I would want to have a commune,” she says.
But lately, she’s thinking about it, maybe bringing her closest friends together, living sustainably off the grid. She doesn’t have the details worked out yet, but one thing is certain: Unlike the A-frames and outhouses she grew up with, she says, “this commune would be stylized.”

Julia Looking Left - Lookiloos

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Growing Family Downsizing with Style

Wednesday, March 24th, 2010
Desk in Breakfast nook

Desk in Breakfast nook

Meg Picanco has quite a home decor pedigree. For years, she and her  late mother, Nancy Biagini, owned and ran the highly-regarded Casa Casa store on San Jose’s Lincoln Avenue. And until last fall, she was a  partner in Willow Glen Home and Garden just down the street.

So you would expect the home she shares with her husband and two young children to be well appointed. But several life-changing events over the past few years have forced her to rethink the importance of belongings and what it truly means to make a house a home.
The top of a bookcase serves as a spot for special things

The top of a bookcase serves as a spot for special things

Like many families in these tough economic times, the growing Picanco family has downsized to half the space they were used to. And leave it to 41-year-old Picanco to do it with style.
She has turned the 1,400 square-foot cottage she rents in Willow Glen into a charming oasis filled — sparingly — with carefully chosen, quality furnishings from her retail days as well as the family heirlooms she cherishes most.
From her grandmother’s spice cabinet with a needlepoint inset to her mother’s glass-topped coffee table, the house has a feeling of warmth and deep roots no matter how temporary the rental may be.
“Bringing things into your home that have history give it a special aura,” Picanco said.
4414854286_145d8f0942_bHer journey to the rental house has taken a circuitous path. Picanco, her husband, Mario, and their two young children, Gabrielle and Giancarlo, were living in a 2,800 square-foot home in Boise, Idaho — “in search of a calmer life where we could live on one income.” But less than a year into their lives there, she was confronted at the same time with two frightening realities: her mother was diagnosed with colon cancer and her 19-month-old son was confirmed deaf.
Not only did she want to be close to her mother in San Jose as she fought the disease, but Picanco and her husband discovered that a top preschool for the deaf was located just up the peninsula in Redwood City.
“We knew we had to return to California,” she said. San Jose is where she studied interior design from San Jose State University and when she was 23, opened Casa Casa with her mother. Her sister joined later. When children came along for the sisters, the trio decided to sell the business. Picanco stayed on as a buyer for the new owners for a year before moving to Idaho in 2006.
They had been homeowners in San Jose before they moved and her husband holds a solid job in high tech, “but we could not afford to buy back into the market when we returned.”
So what did she do? She did what any woman would do: she held a garage sale. And she was compelled to sell “all the things that were wonderful, beautiful things I loved.”
But she kept a painted chest that her grandmother had left to her (and had tucked a note addressed to her inside for posterity,) a pair of her mother’s table lamps, a set of nesting tables her aunt brought back from Florence, and a delicate, bamboo-style chandelier that has stayed with the family through their moves and is decorated with holly berries at Christmas and streamers for birthdays.
4414024163_5f71b43c5d_oAfter a stint in one Willow Glen rental distinguished by a pink tile kitchen with a butterfly motif, she found the house her family now calls home, a place she hopes to stay in for at least the next several years.
It is the simplest of floorplans: small living and dining rooms, a newly-remodeled kitchen with a tiny breakfast nook, and three small bedrooms and one bath off the back hallway. No family room. No walk-in closets. The only extra is a quarter-basement that is just big enough for the washer and dryer and Picanco’s hanging clothes, folded sweaters, and neatly stacked shoes.
She maximizes every inch with function and style. She has turned the breakfast nook, that was practically too small for a table and chairs, into an office with one elegant, oversized desk topped with a computer. When the kids come home with backbacks and school papers, “everything gets filed immediately,” she said.
clock collection

clock collection

Perhaps the most surprising personal touch is her decision to invest in shutters for the dining room and bathroom. “I knew when we rented it , we would be here for at least several years, so why not make it our own home?” she said, “and I couldn’t live with metal mini blinds.”

She painted every room a separate color — coating the master bedroom with the same heathery hue she has used for her bedroom in every house. She filled her dining room hutch with her sterling silver and blue and white china as well as a pair of rhinestone-studded starfish. One had been her mother’s, and when she died in 2008, Picanco nestled it in a bowl with her own.
The Picanco family has lived in this house for just a year and in that time, their daughter has adjusted beautifully to her new school and their son has excelled at his. With cochlear implants, he can carry on conversations. “Every five minutes is a miracle,” Picanco said.
Their neighbors have become some of their best friends.
“I can’t deny I wouldn’t love to own my own house,” she said, “but we’re so happy here.”Julia Looking Left - Lookiloos

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Carmel Remodel Ends with He-Said, She-Said Book

Wednesday, January 13th, 2010
The newly renovated breakfast room

The newly renovated breakfast room

Pam Gilberd hated nearly everything about the dilapidated ranch house they looked at in the Carmel Valley. “It smelled. The yard was described as an Italian cemetery. It had a hot tub 10 feet from the front door and you had to walk over the cord to get to it.”

Before:The original facade with hot tub in front yard.

Before:The original facade with hot tub in front yard.

Her husband, retired stockbroker Fred Gilberd, however, saw only possibilities. The view across Carmel Valley Ranch and to the Santa Lucia Mountains was stunning. The single-story layout worked. And he was anxious to prove his theory that with a little vision and a lot of elbow grease, “you could make anything nice.”

And so the couple embarked on a two-year project that Pam — a writer — hoped would be as romantic as the Italian remodel in bestseller “Under The Tuscan Sun.” After remodeling, compromising, nearly giving up,  finding hidden creativity — and, yes, romance — the Gilberds have just self-published their own version: “Under the Carmel Valley Sun.”  (Lookiloos will be giving away two copies of the book, so please leave a comment below!)

The couple bought the house in 2000, a market peak when there was little else for sale. At the time, they had no idea what they wanted the house to look like when they were finished.  But a previously scheduled bike-riding trip through Provence inspired them to work towards a French country look. And they vowed to do it themselves, without handing off any major work to contractors.

“For one reason, I’m a cheapskate,” Fred, 70,  said. “I also wanted the satisfaction of doing it myself.”

After: The updated facade, with faux-painted door.

After: The updated facade, with faux-painted door.

But what the couple quickly realized, as they ate dinner each night on one of the few pieces of furniture — their bed — “we got into something that was way over our heads,” Fred said.

Pam, 63, reached her low point about halfway though. She had envisioned that she would be like other homeowners who would uncover “wonderful archways” and would “laugh and learn together.”  At that point in the Gilberd remodel, however, there wasn’t much laughing going on.

“Pam was reaching a crisis stage,” Fred said. Even playing the soundtrack to Out of Africa for her, which had seemed to settle emotions before, had little effect. He suggested they simply finish off the house with white paint throughout and put it on the market.

PamFredGilberdHiPam was shocked that he would even consider giving up his dream because she wasn’t happy. “To me that was one of the most romantic things he ever said to me,” Pam said. For Pam, it was a turning point. “When he said that, I said, ”No way. Of course we’re going to finish this.’ I became almost as obsessive as he was.”

She doesn’t like sewing, but because they spent so much money redoing their fireplace, she pulled out her sewing machine to make her own cushions and curtains. She read books on the Toll House painting style and  painted two-tone fruits on a long, narrow dining table Fred made for her, and  olive branches on the walls of  her narrow hallway.

“It really forced us to expand our skills and our vision of what we could do,” she said.

And it also brought them closer together. “Renovating a house is a test of a marriage,” Pam said, but “it can be a wonderfully bonding time–as long as the small stuff stays in proportion to the overall intent.”

After:The new kitchen

After:The new kitchen

They looked for ways to complement instead of criticize, she said, and “got a lot further that way and had more fun.”

In the end, not only did they transform a run-down ranch into a French county oasis, but they were so proud of their accomplishment together, they took on another challenge: writing a diary-style book of their adventure.

When they realized their memories of the same events differed so wildly, they decided to write a he-said, she-said book with each penning chapters. It’s a delightful story of the highs and lows and –  with patience, understanding and compromise — the romance of the remodel.Julia Looking Left - Lookiloos

 FinalCoverHiRLeave a comment and let us know if you’d like a copy.

Lionel Train Set in Living Room: What to Do?

Friday, December 18th, 2009

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When my husband’s old Lionel train set arrived by UPS from his brother in Michigan, it was as though Santa himself appeared in a big brown truck. It was five years ago, Christmas Eve. I was standing in the driveway with our two children, who were 5 and 7 at the time, when the driver headed our way with a large cardboard box.

Carefully packed inside was the electric model train set that my husband, Chris, and his three brothers used to play with each winter in the basement of their home outside Detroit. It had been his father’s before that. And now, on the most magical night of all, it had arrived in San Jose for the next generation, just in time. I choked back tears as I wished the driver a Merry Christmas.4189164464_63d0d386bb_b

Sounds like the end of a heartwarming story, doesn’t it? This was the part when the parents are supposed to embrace and the children open the box with eyes filled with wonder. Can’t cha hear the whistle blowing?

Funny how nostalgia can turn to exasperation and a midnight argument last week that almost woke up the kids. Where in the world can we set up this thing?
Unlike my husband’s boyhood home in the 1960s and ’70s, our home doesn’t have a giant basement rec room with a snooker table big enough for two full sheets of plywood on top to serve as a platform for this Michigan-made train set.

4188401331_ca73499522_bWithout it, the track never really found a home in our house. That first Christmas, the engine that had been boxed up for 30 years was too worn out to pull cars behind it. The next two years, when the track was laid on the living-room floor, the kids kept tripping over it, knocking down the cars and disconnecting the track. In 2007, Chris placed a piece of plywood on top of the dining table on the screened porch. But it was chilly, few ventured outside to play with it and the track started to rust. Last year, it didn’t even make it out of the boxes.

This year, though, Chris insisted the train and the plywood come back in the house and into the living room. And it had to be elevated, he said. That’s when the discord began.
I’m sorry, but am I out of line to protest when my husband wants to squeeze in the equivalent of a table set for 12 in the middle of our cramped living room that is barely big enough for a Christmas tree? Must this be a shrine to Lionel?

I already had holiday decorating insecurities. As much as I envision our house as an enchanted space filled with our hand-carved nativity scene, nutcrackers, Christmas candelabras and poinsettias, it more often than not feels like a mismatched montage.
To make matters worse, we were planning a Christmas cocktail party, plus Christmas dinner for 18. We needed more room, not less, for entertaining.

4188400775_9539e15bc0_b“Hmm, an 8-foot-by-4-foot sheet of plywood in your living room,” mused my friend Carolyn. “Sounds like a dance floor.”
One friend suggested that if we really wanted to show off the train set, we should deconstruct it and arrange the engine and cars artfully on the mantel. Another suggested building a catwalk around the ceiling like they do at pizza parlors. All we needed was sawdust and peanut shells on the floor. Great.

But the tradition of this train set was important to Chris and I understood why. The train set was sent a few years after Chris’ father died. It wasn’t an elaborate model with mountains and tunnels, but it included some special vintage pieces: a 1940s O gauge track with a pressed-tin signal house and a man with a swinging lantern who pops through the door when the train passes; a foot-tall light tower; three pieces of die-cast rolling stock; a 1975 Illinois Central GP9 engine that blows smoke and a matching caboose that lights up. It came with a bag of miniature pedestrians, benches and trees. Inside the GP9 engine box was the original handwritten note the boys found that Christmas morning when they unwrapped it for the first time: “Merry Christmas, Joey, Chris, Paul and Ed.” It was signed S. Claus.

Still, did it have to be mounted full scale, table height, smack in the middle of the living room? Couldn’t it be, maybe, half the size, in a corner somewhere? Midnight is the wrong time to have a conversation like this. When I imagined Chris pulling out the sheet of dirty white felt he used under the track to look like snow two years ago, I marched upstairs.

4188400611_7d76b12642_bAs we got ready for bed, though, Chris said one more thing: “I want the kids to have memories of this train.”
“I do, too,” I said.

The next morning, Chris said that the train didn’t have to be table height. It could sit on milk crates just a foot off the floor. But something would still have to be moved out for it to fit in. I volunteered that my writing desk be moved to the shed.
We could still sit a 6-foot Christmas tree on top of the platform in the middle of the track. I would replace the white felt with chocolate brown burlap.
And to convince myself that I could salvage some sense of style, I would sew a string of silky brown pom-poms to finish the bottom edge. (Chris objected at first, worried they would distract from the track, but relented.)

Last weekend, Daniel, who is 10 now, helped his father assemble the track. Claire, 12, set up a station vignette around the signal house. It was a rainy afternoon and I took in the scene as Chris plugged in the twinkling tree lights and turned on the Christmas music. Daniel blew the whistle.
As the train came around the bend, I approached the platform, knelt down before it, and fluffed the pompom skirt.
Julia Looking Left - Lookiloos

Film Crew Shoots Vintage Farmhouse

Monday, October 5th, 2009

Film Crew Shoots Vintage Farmhouse

Deep in the golden hot countryside of Morgan Hill, the old white farmhouse languished for months with a For Sale sign planted in front. The knoll on which it was perched was bone dry and, but for the pomegranate tree, practically barren. Inside, the wooden floors were sloping, the wallpaper peeling. When the last member of the family that had owned the house for more than a century passed away, it was as though the house died, too.

But over the last two years, new life has been breathed back into the old place, first by an artist and her husband who had always wanted a vintage farmhouse to call their own, then by a local filmmaker and his crew making a low-budget independent short.

Filmmaking at the farmhouse

Filmmaking at the farmhouse

In extraordinary ways, both have celebrated the farmhouse’s humble history. And in return, the house has given back everything it has. Call it serendipity. Call it fate. But the house gave the artist and the filmmaker exactly what they needed, and more than they could have imagined.

The farmhouse brought Kerstin Schipper and Shawn Flanagan together on a late summer day in July. But it first beckoned Schipper two years ago. She and her husband, Peter, both came from Dutch dairy farmer stock and wanted a simple place with a sense of history. He was in the landscape materials business. She painted murals.

Kerstin Schipper - Film Crew Shoots Vintage Farmhouse The couple had raised their nine children in a 1930s house in what had once been Los Gatos countryside. But the Mediterranean villas and modern mansions started crowding in and when their children were grown, the Schippers’ search began. Hidden behind eucalyptus and oaks west of Morgan Hill, the Schippers found the farmhouse. It sat on a rise, overlooking a pasture and creek.

Except for electricity and plumbing, Schipper said, “they had done nothing to the house since it was built. It was untouched.”

Double wash basins remained on the back laundry porch and the blackened Wedgewood stove in the kitchen still fired up. A narrow staircase led to the attic. When they noticed a calendar hanging in the garage dated 1948 — the year both Schippers were born — the whole place just felt right. They bought the house and, maintaining its tradition, cleaned it up but barely changed a thing.

“You want to respect who built it and lived in it,” she said. “We both like history — to touch the past in a way.”

They furnished it with second-hand pieces, many in the simple farmhouse style popular at the last turn of the century. On the front porch she hung one of her favorite paintings, a portrait of her daughter surrounded by sunflowers and hollyhocks. Most of her work contained at least one sunflower; it was her favorite and had become her signature symbol.

Farmhouse Kitchen - Film Crew Shoots Vintage Farmhouse But the view from the porch of the barren landscape needed some tending. Instead of heading to the nursery, though, she simply grabbed the hose. “I just thought I’d water,” she said, and gave the property around the house a good, deep soak. And that’s when “they all came up.”

Sunflowers. Fields of them. Bright yellow and nearly 18-feet tall. And hollyhocks, pink, just like in her portrait. This was no simple cutting garden out back or a little patch of color here and there. The wildflowers surrounded the entire place and raced down the front hillside in an exuberant burst. The roots were so deep, she could barely pull one out if she tried.

“I thought it had to be an old garden,” Schipper said. “The only thing I know is that it felt like home right away.”

Director Shawn Flanagan with Actors

Director Shawn Flanagan with Actors

It was during this peak of summer bloom that Shawn Flanagan discovered it. A San Jose resident, he named his company Almaden Films after the neighborhood where he grew up. He had a number of independent short and feature films to his credit and was scouting locations for his latest Depression-era movie, “Whiskey Slide.” It is about Henry Percy (played by local actor Geordie Prodis) an artist who is down on his luck and in danger of losing his house, and his pregnant wife, Louise Percy (played by Kate Melia).

“It was supposed to be a no-budget short film where a bunch of friends get together and do whatever they can to get a movie done,” said Flanagan, 46. “Then great things started happening.”

Cameras rolling for Whiskey Slide

Cameras rolling for Whiskey Slide

The first was finding the farmhouse, which had been recommended to him by a mutual friend, Maggie Wilhelm. “When I got there, I just freaked out,” he said. “I loved every part of it. The outside with the flowers all around; the house being period-right. It was just a great setting.”

And for a director on a budget, he didn’t have to pay for set design. “We had the old stove, the old kitchen, several old rooms that were just right,” Flanagan said.

The story called for a painting room for Henry, and the attic just happened to be filled with Schipper’s paintings. The script called for a chicken coop, and there it was in the side yard. One scene had the pregnant wife washing clothes and, running along the sideyard, a clothes line was already hung.

“That stuff was there when I got there,” Flanagan said.

The only props he needed were the historic cars provided by San Jose collectors Don Skow and Shaughnessy McGehee.

Farmhouse - Whiskey Slide“It’s unbelievable the way things came together,” Flanagan said. Parts of the movie have also been filmed at San Jose History Park and the Radonich and Adams ranches in the Santa Cruz Mountains. But, he said, “the heart of the movie comes from that house.”

He plans to wrap up production shortly and have the movie ready to submit to San Jose’s Cinequest and other international film festivals. The only shame, he said, is that the movie is shot in black-and-white and won’t capture the brilliance of the sunflowers. But when he edits the scenes, “I will go out of my way to make sure I use some of the wider angles with the sunflowers.”

Schipper was thrilled to lend the farmhouse to the movie crew and loved that they embraced the house, just as it was.

Sunflowers - Film Crew Shoots Vintage Farmhouse Schipper likes to call it a “happy house.” But a friend who visited recently told her it was more than that.

“It’s a magical place,” her friend said.

“Thank you,” Schipper replied. “Yes.”

“She called it a magical place,” Schipper said. “I said thank you. Yes.”

(To watch an advance clip of Whiskey Slide, go to www.almadenfilms.com.)

Story by Julia Prodis Sulek, Lookiloos.

Photos of film crew by Mike Gendimenico, Faultline Digital

Julia - lookiloos.com

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Turning a Shed into a Charming Cottage

Saturday, August 15th, 2009

Turning a Shed into a Charming Cottage

For years, the old structure in the back yard was known as the “haunted shed.” When Rebecca Sweet was a girl growing up in her parents’ Los Altos ranch-style house in the 1970s, even her bravest friends couldn’t make it through a slumber party there.

Feathers in a Vase - Turning a Shed into a Charming Cottage

The roof was caving in. The floorboards creaked. Cobwebs covered old storage boxes. Spiders had taken over every inch. When Rebecca returned to her childhood home 11 years ago and moved in with her own family, the wood shed had only deteriorated further. Her daughter and friends would have Halloween parties and terrify each other over stories of the the eerie presence of the “shed monster.”

But over the last few years, with her husband, Tom Urban, taking the lead, the old shed has been given a new life and new purpose. Gone are the cobwebs and creaks. The structure is now a charming cottage and work studio for Rebecca, who is a landscape designer. As with the rest of the backyard garden once tended by her mother, who comes from a maternal line of avid gardeners, the shed was restored and decorated to maintain the family’s gardening legacy.

Shed Office Space - Turning a Shed into a Charming Cottage

The roof on the 18-by-12-foot shed was pitched and decorative wood beams added to create an airy feeling and rustic charm. Her husband replaced the old aluminum windows with vintage cottage windows. He plastered the walls and painted them a buttery yellow. A long counter was built on the far end, stretching across the back, to lay out design plans. The shelves underneath store the family’s earthquake supplies, but are hidden by lovely linen curtains.

A wicker sofa dominates the seating area. Above it hangs a decorative screen made of branches from one of Rebecca’s favorite shops in Los Altos, Cottage Green. One of her most cherished possessions is a dainty painting of pansies done by her great-great grandmother.

Potting Bench - Turning a Shed into a Charming Cottage

Rebecca also likes to point out the old piece of wood siding that bears the carved named of Rebecca’s brother, Tim. He had been punished for defacing the shed at the time. But Rebecca made sure her husband kept it in its rightful place, next to the front door.

Sitting on nearly a third of an acre in a 1950s development of classic ranch-style houses, the shed was an ever-present backdrop to the garden, which was first tended by her mother and now her. Rebecca remembers expeditions to Lake Tahoe to collect rocks along the roadsides that had tumbled down from avalanches. Together, they would choose the prettiest and haul them back to San Jose where her mother would build curving borders for raised garden beds.

Rebecca Sweet - Turning a Shed into a Charming Cottage

“I would watch her build this wall and tear it out because it wasn’t perfect,” Rebecca said. “It was her release.”

While she loves her mother’s stone walls, she has also made the garden her own by adding several sitting areas, curving pathways, fountains and an aviary. She writes about her garden and gardening tips on her blog www.gossipinthegarden.com.

When her mother visits, “she doesn’t come in the house. She goes around the garden first,” Rebecca said.

Ship Steamer Lounges - Turning a Shed into a Charming Cottage

“We wander the garden and see what’s new. It’s a huge bond. It’s a personal garden, and I think it shows.”

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Mission Revival in the Heart of Palm Haven

Thursday, July 30th, 2009

Mission Revival in the Heart of Palm Haven

The stark white house at the end of Plaza Drive in San Jose’s historic Palm Haven neighborhood takes you by surprise. It’s small in scale, a single story on a corner lot. But its domed tower and decorative parapet across the roofline force you to take a second look.

Inside Bell Tower - Mission Revival in the Heart of Palm Haven

This is Michael Borbely’s mini masterpiece – a recently completed Mission Revival house of stucco and tile that took years of research to create, plus help from San Jose’s Fireclay Tile to reproduce century-old details.

Borbely, 45, is an architectural activist of sorts who spearheaded an effort several years ago to restore the pillars at the entrance to the 1930s Palm Haven in Willow Glen to their original Mission Revival style. So when he was ready for a new project after selling his Prairie style house in the neighborhood, “I looked for the house in the worst condition that had the most impact on the neighborhood.” He decided on a tiny Spanish style house for sale nearby in need of a major remodel. He wanted the house to fit into the streetscape and, taking some cues from the pillars and an original Mission Revival house in the neighborhood, decided to reinvent a scaled-down version.

It still causes a little bewilderment when people walk by.

“When people ask what it is, they have all sorts of strange ideas,” said Borbely, who owns a small design and construction company called Novuspace. “Because Mission Revival is so rarely done anymore — and when it’s done it’s done out of proper context — I think that furthers people’s confusion when they see it.”

In the early 1900s, when the Spanish Colonial Revival style was hitting its stride in the United States, he said, there was no accepted category called Mission Revival. It was all considered Spanish.

Entry Hall - Mission Revival in the Heart of Palm Haven

“It wasn’t until later that historians in the architectural community agreed that there are pretty clear distinctions that separate real Mission Revival from Spanish mode,” he said. “It comes down to an
espadana – a curvilinear parapet.”

Most examples of Mission Revival style were executed in structures as large as the original Spanish missions, such as libraries and train stations. But here was Borbely with a 1,700 square foot original house that barely fit on its little, long, narrow corner lot.

“It’s a very challenging lot,” he said, “I found that if you scale down the components, Mission style fits quite nicely here. People say they feel it’s on a human scale. It’s got a tower, but not a tower that towers
over you.”

The narrow lot size also meant that Borbely had to forego one of the key features of Mission style – an exterior arched loggia. Instead, Borbely turned the concept “inside out,” he said, resulting in the home’s most stunning attribute: its wide, vaulted, triple-arched entry hall. The new house is barely 2,000 square feet, and the central hallway takes up a sizeable portion of it.

Kitchen - Mission Revival in the Heart of Palm Haven

“It’s not a big house, but it’s a flexible house,” he said. “I see this as able to double as a dining space,” or a gracious area for wine receptions. A wainscoting of colorful tile, reproduced by Fireclay Tile, came from a 100-year-old photograph Borbely unearthed.

What used to be a tiny breakfast nook at the front of the old house is now the domed tower room that Borbely uses as a study. The old galley kitchen was turned into a guest room.

The new kitchen at the far end of the entry hall, down a few steps, makes another strong statement. The sanctuary-like ceiling explodes into view, with heavy timbers closely spaced and highly-carved corbels. Nava’s Brothers built the red oak cabinetry, including a pew-like banquet for the kitchen table. The kitchen accents tiles were created by local ceramic artist Babak Daleki at www.dalekiceramicstudio.com.

As much as the house is reminiscent of the old, Borbely integrated modern, environmentally-friendly features, including salvaged materials, LED lighting and solar power that not only heats his house but powers his electric car in the driveway.

Kitchen Fireplace - Mission Revival in the Heart of Palm Haven

Borbely even took pains to ornament the long side of the house – an area often downplayed in design. But since the side faces a sidewalk, Borbely added window hoods that suggest a deep adobe wall, a large, carved false door and a vintage style iron fence with a cross motif.

“I wanted to make it pleasing to look at no matter where you were,” he said.

Judging from the neighbors’ reactions, he seems to have succeeded:

“My neighbors have given me a list of properties they want me to work on.”

Julia - lookiloos.com

Related Stories:

La Estancia – A Los Gatos Mission Revival

Reviving a Spanish Revival

Update:
Lookiloos featured in the San Jose Mercury News

This post is featured in the San Jose Mercury News Home and Garden section here.

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